My workspace features leading brands, including Nokia, Nature Valley, Backpacker magazine, Bicycling magazine, The Wirecutter and Trimble Navigation. I’ve worked in a startup environment to launch an award-winning, app-based GPS platform; I’ve managed corporate teams during a major acquisition; and I’ve produced and starred in how-to videos for Fortune 200 companies. View my resume for full details and scroll below for more of my portfolio.

Editorial Copywriting & Design Samples

Copywriting for StickerGiant

On Camera Work for StickerGiant


Spokesperson Videos for Website

Voice-Over Work with StickerGiant

Nature Valley Trail View Video Work – Camera: Jeff Chow

  • Nature Valley Trail View (field guide, researcher, copywriter, cartographer)
  • Nature Valley Trail Tips (script writing, on-camera talent)
  • Nature Valley Quietest Show on Earth (copywriting: microsite and Facebook page)
  • A Think With Google Creative Sandbox featured campaign

Editorial: Copywriting (Now a New York Times property)

Backpacker magazine – All Matranga Articles tagged

Bicycling magazine – All Matranga Articles

Client Work

General Mills | Trimble Outdoors | Backpacker magazine | Climbing magazineNational Park TripsBicycling magazine | Dowd, Bloch, Bennett & CervoneRedZone Software | The Wirecutter.comStickerGiant Scott Coppersmith Designs | Copic Insurance

Andrew Matranga Thesis Research: University of Colorado – Boulder

The Folk Devil Goes Digital: Taping and Trading Live Music in the Digital Age (2005)
91 leaves, theses: CU Boulder Journalism and Mass Communication
University of Colorado Libraries

Abstract: At the cusp of the 21st century, the exchange of digital music on the Internet brings forth interesting discussions. Reviewing data gathered from in-depth interviews with concert tapers and tape-traders, this thesis explores both the historical roots of concert taping and trading, and the present condition of digital music trading on the Internet. This study asks questions about the technological and the legal advances regarding music trading, and speculates whether or not those advances might signal the death knell of the amateur taping community, a vibrant subculture that long existed outside, but not opposed to, the music industry. Tapers, who envision themselves as cultural archivists and taste arbiters for the live music community, comment on the nature of the music collector in the digital age, and in doing so, add to the discussion of technology in an ever-shifting world of media and cultural studies.